Tuesday, November 10, 2009

Crayola colors

The change is coming slowly but surely.

The clustering of ‘the blue pots’ is being broken up and a variety of bright crayola colors are being introduced onto the ugly grey driveway entrance.

I found a nice ribbed green pot and an oval shaped yellow pot at AW Pottery in Oakland.
I couldn’t stand not having the pots planted up so I popped in some plants that I had hanging around the greenhouse.

This weekend I will work on finding something more ‘planterly appropriate’.

I need to dial this rag tag clustering of pots up for next month when a magazine writer is coming to scout my garden for an possible upcoming article on ‘garden designers who have their own gardens’.

December is not exactly the best time of year to be scouting for projects, but I wasn’t about to say no, especially in this economy. Now is not the time to be picky.
Any publicity has got to be good publicity right about now.


From Pina Colada


From Pina Colada


From Pina Colada

Sunday, November 8, 2009

Browsing at Flora’s

Many of you have been to Flora Grubbs Nursery in San Francisco, but for those who haven’t and have only seen the nursery in print, here are a few more photos.

On Sunday I visited the nursery to check out the glazed pottery selection.
There were fantastic finds of all kinds.

I didn’t purchase any pots today at Flora’s because I found exactly what I was looking for at AW Pottery Wholesale in Oakland the day before, but that didn’t stop me from browsing Flora’s beautiful nursery.

Inside the covered portion of the nursery hangs a Wooly Pocket Wall
From New Album 11/8/09 6:41 PM


A view down one of the corridors
From New Album 11/8/09 6:41 PM


Another lovely section of the nursery
From New Album 11/8/09 6:41 PM


This Bocconia from San Marco’s Growers caught my eye
From New Album 11/8/09 6:41 PM


Colorful and Comfortable
From New Album 11/8/09 6:41 PM


An artful vignette
From New Album 11/8/09 6:41 PM

From New Album 11/8/09 6:41 PM


Love the ‘ballerina legs’ on these stools.
From New Album 11/8/09 6:41 PM


I saw these same pots in Indonesia a few years ago and liked them then too.
From New Album 11/8/09 6:41 PM


More colorful seating
From New Album 11/8/09 6:41 PM


A textural view down the nursery path
From New Album 11/8/09 6:41 PM


Giant Potato Creeper Vine Solanum wendlandii - must have one !
From New Album 11/8/09 6:41 PM


Chairs and Tables hanging from the side of the building
From New Album 11/8/09 6:41 PM


After we left Flora’s Nursery we went to The Building Resource Center to check out some recycled items that we could work into our current and upcoming sculptural projects. I’m contemplating doing a vignette for the 2010 Garden Show.... just contemplating for now.
Barrels of tumbled colored glass, pottery shards and terracotta pots.
From New Album 11/8/09 6:41 PM


From New Album 11/8/09 6:41 PM

Friday, November 6, 2009

Let's Get Dirty.

Praise Flora !
A new project is about to begin.
Let’s get dirty.

Construction bids are in, final decisions are being made and ground, or should I say sand is about to be broken.

A new garden at the beach is about to take shape. Wooohooo ! ( can you tell this slow economy has gotten to me ! )

Basic Planting Plan ( lots of succulents, Australian and South African plants.)
From Beach House


From Beach House



The interesting aspect of this project is that we are going to be using a seeded lawn instead of sod.
This seed is from Wildflower Farm and is called their Eco- Lawn mix.
It is said to require no fertilization, is extremely drought tolerant , and very low maintenance.
I’ll be documenting its installation and growth habit as the project progresses.

From Beach House


The existing site :
From Beach House


Existing vegetable garden
From Beach House


The far corner where the future fire ring will be installed
From Beach House


color overlay
From Beach House

Tuesday, November 3, 2009

The blues are out, Jazzy vibrant colors are in.

I’m over the blues.
All of the ceramic pots that I have clustered outside my front entry gate have been blue in color.
It was great for awhile but not any more.
So with one swift swipe of the card yesterday I bought a bright orange pot.
Now I’m on the hunt for a lime green pot and I heard that Flora Grubb nursery in the city might have exactly what I need.
The blues are out.
Fiesta ware and bright Bauer ware colors are in.

From Pina Colada


From Pina Colada


The old blue guards will still be in place, I love the bookend matching large pots, but all the supporting smaller pots are going to be traded out for a grouping of bright crayola colors - lime green, shocking hot red, pumpkin orange, and sunflower yellow.

From Pina Colada

Sunday, November 1, 2009

Autumns acorns

My home, located in Northern California is surrounded by oak trees, Quercus kelloggii.
These deciduous oaks have inspired my sculptural art work from the front entry mosaic path that I installed 10 years ago to the hand sculpted ceramic nuts that I scatter throughout the garden.

Leaf patterns in the path :
From Pina Colada


Ceramic acorns:
High fire porcelain , cone 10 , celadon and texas red glaze
From Ceramic Studio


Sonora White stoneware, cone 10, celadon and rubbed black oxide
From Ceramic Studio


From Ceramic Studio


Sonora White stoneware, cone 10, various glazes and oxides.
From Ceramic Studio


Sonora White stoneware, cone 6, underglazes
From Ceramic Studio


Sonora White stoneware cone 6 , cobolt blue glaze and an underglaze.
Acorn is set in an Agave attenuatta.
From Ceramic Studio


Sonora White stoneware, Raku firing. I can’t remember the glazes and my notebook is out of range.
From Ceramic Studio


Porcelain clay body, cone 6 firing, underglazes with a clear high sheen overglaze
glaze was air brushed.
Acorn sitting in a patch of Ajuga and Acorus grass.
From Ceramic Studio

Thursday, October 29, 2009

Stone + Water in a small space.

When space is limited in the garden yet the desire for a watery element is present a small vessel of sorts can fulfil the longing.

This carved granite stone , stylized in the form of a New England grindstone, quietly trickles in a small back yard in Belvedere CA.
It is surrounded by salvia leucantha and miscanthus.

From Water fountains in the landscape


From Water fountains in the landscape


The granite stone was purchased from Stone Forest.

Tuesday, October 27, 2009

Lawrence Halprin, passes away at 93.

Article written by John King for the San Francisco Chronicle.

Lawrence Halprin, the Bay Area landscape architect who pushed the design of America's urban spaces in new directions over a career that spanned 60 years, died Sunday of natural causes. He was 93.


He left his mark at all scales, from the crafting of San Francisco's Ghirardelli Square in the 1960s to the transformation of the 52-acre base of Yosemite Falls that was completed in 2005.

Mr. Halprin's best-known national work is the Franklin Delano Roosevelt Memorial in Washington, D.C. - a saga that began when he won a design competition in 1976 but wasn't completed until the memorial opened in 1997.

"He was the single most influential landscape architect of the postwar years," said Charles Birnbaum, president of the Cultural Landscape Foundation. "He redefined the profession's role in cities."

Exuberant persona

Mr. Halprin's persona was every bit as exuberant as the cascading water features found in many of his parks - whether it was his 1969 arrest to protest a flood-control project on Tamalpais Creek in Marin, or his 1968 pronouncement that if a fountain by Armand Vaillancourt in Mr. Halprin's large plaza at the foot of Market Street didn't turn out to be one of the nation's "great works of civic art ... I am going to slit my throat."

Not all of Mr. Halprin's work was embraced by the public. Vaillancourt Fountain, with its contorted concrete piping, remains controversial. Spaces designed by Mr. Halprin in several cities have been altered or closed, and his U.N. Plaza on Market Street is known more for social problems than its sculptural air.

Respect among peers

But Mr. Halprin's ambitious desire to reshape cities earned him lasting respect from other designers.

"When he hit it, he hit it, and you can't say that for any of his peers," said Frank Gehry, America's best-known living architect, who designed the 1986 exhibition on Halprin's career at the San Francisco Museum of Modern Art. "He saw there was a need for a new way to express the (urban) landscape at the end of the 20th century."

All along, "I rejected any implication that what I do is decoration," Mr. Halprin told The Chronicle in 2007. "Landscape architecture deals with things that are so important. It's partly nature, it's partly culture, it's partly social - it's all of these."

Mr. Halprin was born in Brooklyn on July 1, 1916. His mother, Rose, was an advocate of a Jewish state and in 1933 she took her son to Palestine, where they spent two years helping establish a kibbutz near Haifa.

Education, military

In 1940, while a horticulture student at the University of Wisconsin, Mr. Halprin married Anna Schuman, a dancer and fellow student who became his creative as well as marital partner. It was Anna who suggested that they take a weekend trip to see Taliesin, the home of infamous architect Frank Lloyd Wright.

"Having been at Taliesin and having listened to Mr. Wright play the piano and talk a little bit ... that's what I wanted to be," Mr. Halprin reminisced during a talk he gave in 2007 to the American Society of Landscape Architects at its convention in San Francisco.

The young couple moved East when Mr. Halprin entered the Harvard University Graduate School of Design, but in 1943 he left school to enlist in the U.S. Navy.

During the invasion of Okinawa, a Japanese kamikaze plane sliced through the destroyer on which he was serving. "The damned thing hit my bunk," Mr. Halprin said in a 2005 Chronicle interview.

The Halprins settled in the Bay Area after the war. He joined the office of landscape architect Thomas Church and then, in 1949, opened his own firm.

For the next 30 years, Mr. Halprin followed his muse in ever-larger directions. He placed a park atop a freeway in Seattle, created a downtown transit mall in Minneapolis and designed several large plazas in Los Angeles.

Cityscapes rethought

Two jobs from the era had particular influence.

One was Ghirardelli Square, the 1968 recasting of a chocolate factory into an urban destination. Mr. Halprin designed the plazas and passages that helped bring the buildings to life.

"I wanted people to see a unique piece of a downtown area that was enjoyable," he recalled in 2007.

The other was his design vision for Sea Ranch, a 5,000-acre stretch of the Sonoma coast fashioned to remain a distinct terrain despite the addition of more than 1,500 houses.

Mr. Halprin's work won recognition at all levels. During the 1960s, he served on the National Council on the Arts and the Advisory Council on Historic Preservation. He received a gold medal in 1978 from the American Society of Landscape Architects. In 2000, a Presidential Design Award went to the FDR Memorial, one of Halprin's personal favorites.

But he never defined himself by awards or finite landscapes.

In the 1960s, Mr. Halprin launched a series of "experiments in environment" workshops influenced by his wife's avant-garde dances. He wrote nine books, and his documentary on Salvador Dali, "Le Pink Grapefruit," won an award at the 1976 San Francisco Film Festival.

What defined her husband's work, Anna Halprin said Monday, is that he never saw a job as just a job: "He always wanted to do the most magnificent, uplifting thing he could. He strove for the ideal, and nothing less."

Mr. Halprin is survived by his wife; his daughters Daria of Kentfield and Rana of Mill Valley; and four grandchildren. A memorial service has not yet been scheduled.

Bay Area projects

Spaces that Lawrence Halprin played a role in designing, with date of completion:

Marin General Hospital: Novato, 1952

Greenwood Common: Berkeley, 1958

Sproul Plaza: UC Berkeley, 1960

Ghirardelli Square: 1968

Embarcadero Center: public areas, 1972

Levi's Plaza: 1982

Stern Grove: redesign, 2005

Letterman Digital Arts Center: the Presidio, 2005

Sources: Chronicle research, catalog for 1986 exhibition "Lawrence Halprin: Changing Places" at SFMOMA

E-mail John King at jking@sfchronicle.com.



Read more: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/10/26/MN8O1AAR25.DTL#ixzz0VAw1QTQU